Posted inTheater Review

Blackademics offers a course in code-switching

Set in an uber-modern high-end restaurant, the three-person play Blackademics, written by Idris Goodwin, sets up a gilded cage match of the wits for two Black frenemies in academia. Newly tenured professor Ann (Jessica F. Morrison) overcompensates through authentic African garb for what she feels she lacks in “authentic” Blackness due to her upper-class background. […]

Posted inTheater Review

A refreshing October Storm

Expertly written, exquisitely performed, steamy, and hilarious, The October Storm at the Raven Theatre offers a warm slice of south-side Chicago life in the 1960s. Joshua Allen’s play, the second in his Grand Boulevard Trilogy (the first was The Last Pair of Earlies, produced by Raven in 2021) is refreshing in that it explores the […]

Posted inTheater Review

Ready to rock

Airness, now playing at the Citadel Theatre, delivers a rocking good time, laughs, and a rock classic earworm to follow you home. Chelsea Marcantel’s play follows the journey of Nina (an earnest Julia Rowley) an outsider who dives headfirst into the world of competitive air guitar. Nina initially judges her fellow competitors as cringeworthy but […]

Posted inTheater Review

The pain of history

I cannot recommend this play without caveats. At least to Black people.  Now, don’t get me wrong, it’s not a bad play. As a matter of fact, it’s a very good play. It’s clever, well-written, timely, and it makes good use of unusual devices. The quality of the play is not the problem.  The problem […]

Posted inTheater Review

Sing a song

Black Ensemble Theater has cornered the Chicago market on excellent musical tributes to prominent Black musicians, and their latest show Reasons: A Tribute to Earth, Wind & Fire (EWF) is no exception. The show is a high-octane extravaganza that opens with a set of glowing drumsticks, signaling that something special has arrived.  Maurice White, the […]

Posted inTheater Review

Infatuation and identity

When The Revival theater opened its doors in 2015 at the corner of 55th Street and University Avenue, its intent was to pay homage to improv’s earliest roots. Paul Sills formed the Compass Players in that exact spot, bringing his knowledge of his mother Viola Spolin’s theater games (outlined in her seminal work Improvisation for […]

Posted inArts & Culture

The strength of community

At the end of September 2020, I wrote a piece for the Reader titled “Black artistic leaders take charge at several Chicago theaters,” which framed the influx of new (and preexisting) Black leadership in Chicago theater against the backdrop of a historic disruption in the industry. That disruption was powered in part by COVID-19 leading […]

Posted inTheater Review

Apartheid and Antigone

Exquisitely paced and intellectually explosive, The Island at Court Theatre is a profoundly moving work of art. From the first moment, this production (directed by Gabrielle Randle-Bent, Court’s associate artistic director) seizes the audience and thrusts them into the world of two political prisoners of apartheid and doesn’t let go, even long after the play […]