Posted inTheater Review

The Golden Girls Save Xmas is festive, raunchy, and heartwarming

Hell in a Handbag Productions serves up a hefty helping of Christmas camp in this new episode of its “The Golden Girls: Lost Episodes” franchise, which purports to feature never-broadcast episodes of The Golden Girls, the 1985-1992 NBC sitcom about four over-60 women—three widows and a divorcee—sharing a home in Miami. In Handbag artistic director […]

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City Lit’s The Night of the Hunter is a satisfying dark yarn

City Lit Theater’s stage adaptation of Davis Grubb’s 1953 novel has a dark, homespun, campfire-tale feel that suits the folksy tone of its suspenseful Southern Gothic narrative. The Night of the Hunter recounts the ordeal of two runaway children—ten-year-old John Harper and his five-year-old sister, Pearl—being pursued by a vicious killer in rural 1930s West […]

Posted inArts & Culture

‘125 is feeling very good’

Because Chicago is so well known for its “Magnificent Mile” retail district—North Michigan Avenue between Oak Street and the Chicago River—it’s all too easy to overlook, or take for granted, the importance of what can be called the city’s cultural corridor: Michigan Avenue stretching south from the river to Roosevelt Road.  What an extraordinary array […]

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‘Storefront Sondheim at its best’

UPDATE JULY 19: Due to a fire next door to the Reginald Vaughn Theater, Blank Theatre will be presenting their closing weekend performances of Merrily We Roll Along in concert readings at City Lit Theater Company, 1020 W. Bryn Mawr. Performances are Fri-Sat 7:30 PM and Sun 3 PM. Contact info@blanktheatrecompany.org for information on exchanges […]

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Faith and memory

John Pielmeier’s 1979 drama Agnes of God—whose title is a reference to “Agnus Dei,” Latin for “Lamb of God”—is an intriguing if somewhat murky mystery that asks both “whodunit” and “whydunit.” Inspired by real events, the plot concerns a 21-year-old novice nun, Agnes (Soleil Pérez), who is suspected of killing her own newborn infant. Agnes […]

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Guineverean legend

Idle Muse Theatre Company’s The Last Queen of Camelot, scripted and directed by Idle Muse artistic director Evan M. Jackson, plays like an Arthurian fantasy graphic novel come to life. Jackson’s take on the tale of legendary sixth-century British King Arthur Pendragon (Joel Thompson) focuses on Queen Guinevere (Caty Gordon-Hall), Arthur’s wife through an arranged […]

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Villainy and vindication

Every superhero saga needs a villain, and Mark Pracht’s new play The Mark of Kane—an origin story for the comic-book character Batman—provides one in the figure of Bob Kane. In Pracht’s account, Kane was an ambitious freelance illustrator who, in 1939, came up with the concept of a crime-fighting vigilante who could fly with the […]

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Democracy under siege

Invictus Theatre Company delivers a solid, sometimes stirring, and strikingly relevant rendition of William Shakespeare’s 1599 tragedy. It’s the story of Marcus Brutus (played by Invictus artistic director Charles Askenaizer, who also directed), a well-intentioned aristocrat in the waning days of the ancient Roman Republic, who joins a plot by his fellow senators to assassinate […]

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The Scottish play, abridged

Director Dusty Brown, who makes their Chicago directing debut with Three Crows Theatre’s storefront staging of Shakespeare’s Macbeth, has trimmed the tragedy down to a fast-paced, intermissionless 105 minutes of blood-drenched storytelling. (“Macbeth has sword/dagger violence, onstage murder, and discussions of murder. Recommended for children 12+ due to all the murder happening onstage,” reads a […]

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Split personality with a twist

Idle Muse Theatre Company’s The Strange Case of Dr. Jekyll and Mr. Hyde is good, dark Halloween-season entertainment, especially if you’re a fan of the Hammer/Amicus/American International Pictures-style of lurid rethinkings of Victorian horror classics. Adapted by Michael Dalberg and directed by Morgan Manasa, this production ups the sex-and-violence aspects of Robert Louis Stevenson’s 1886 […]

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A ‘fully flavoured’ Playboy

“In a good play every speech should be as fully flavoured as a nut or apple,” wrote Irish playwright John Millington Synge in the preface to his 1907 comedy The Playboy of the Western World. By that standard, Playboy is a very good play—indeed, one of the greatest and most entertaining works in 20th-century English-language […]