Posted inTheater Review

Wall Street bloodbath

Last year for the Halloween season, Kokandy Productions presented Stephen Sondheim’s Sweeney Todd. Now they’re back with another slasher songfest: American Psycho: The Musical, adapted from Bret Easton Ellis’s 1991 novel by book writer Roberto Aguirre-Sacasa and with a score by Duncan Sheik, whose original songs are interspersed with pop hits like “Everybody Wants to […]

Posted inTheater Review

Debutantes and debacles

Pearl Cleage isn’t from Chicago, but she’s been produced enough here that she feels like an adopted playwright at least. Now-defunct Eclipse Theatre Company (dedicated to the one playwright, one season model) offered a season of Cleage plays back in 2007, and that same year, Court Theatre did a stunning revival of her 1992 frontier […]

Posted inTheater Review

All about the Franklins

There’s a great show onstage right now in Chicago about a Founding Father who is not named Alexander Hamilton. And while it doesn’t feature an award-winning score by Lin-Manuel Miranda, Mesmerized: A Ben Franklin Science & History Mystery at Chicago Children’s Theatre boasts its own fine collection of talent onstage and off. Adapted by Suzanne […]

Posted inTheater Review

Harlem stories

I don’t know who came up with the idea of a Pearl Cleage festival for Chicago theater, but based on Mikael Burke’s gorgeous production of the Atlanta poet laureate’s 1995 drama, Blues for an Alabama Sky, I’m glad they did. (Goodman Theatre’s staging of Cleage’s comedy The Nacirema Society is in previews now.) Blues for […]

Posted inTheater Review

You won’t be my neighbor

“Well, look who’s come to dinner!” bellows Gerald (Ronald L. Conner) to the neighbors he and wife Patricia (Sydney Charles) have invited to their home in Inda Craig-Galván’s WELCOME TO MATTESON! But the neighbors here aren’t white or interracial, and nobody’s trying to marry anyone else’s daughter. That aside, the parallels to Guess Who’s Coming […]

Posted inTheater Review

Never trust the tyrants

Though it’s based loosely on a real story, John Webster’s Jacobean revenge tragedy The Duchess of Malfi plays like a cross between torture porn and Shakespeare, what with the piling up of butchered bodies, hints of incestuous longing, and even a touch of lycanthropy thrown in for good measure. The Duchess of MalfiThrough 10/21: Thu-Sat […]

Posted inStages of Survival

‘We don’t want to get bigger. We want to get deeper.’

This week, we’re kicking off a new occasional series, Stages of Survival, spotlighting theater companies that are, despite the pervasive gloom-and-doom narratives about the performing arts, still producing. The plan is to eventually encompass a broad range of companies: Equity and non-Equity, those that are itinerant and those that have their own spaces, and companies […]

Posted inGhost Light

‘Don’t just say it—do it’

On Tuesday, September 12, Enrich Chicago released the results for its first racial equity report for the arts sector in the city: “Work Remains To Be Done: A Baseline Survey of Chicago’s BIPOC Arts & Culture Workers.” Enrich Chicago, founded in 2014, is a collaborative composed of arts and culture organizations and funders (nearly 40 […]

Posted inTheater Review

Petty lives of desperation

When The Beauty Queen of Leenane first premiered with Galway’s Druid Theatre in 1996, it marked its author, Martin McDonagh (then just shy of age 26) as an exhilarating new voice in Celtic drama. The story of lonely 40-year-old spinster Maureen Folan and her hypochondriacal and controlling mother, Mag, cut like a chainsaw through any […]