Profiles Theatre revives Will Kerns Hellcab
Category: Theater Review
Eugene O’Neill’s great joke
Bleak as it can be, The Iceman Cometh is a comedy at heart
Revolting babies
Bailiwick Chicago and the New Colony coproduce futuristic Rise of the Numberless
Devices obvious and mechanical
Neil LaBute gets Agatha Christie-esque with In a Forest, Dark and Deep
Camino to perdition
Goodman’s Casino Real: not recommended for the squeamish
Hallucinating in Romania
Trap Door Theatre stages a play by Romania’s Matei Vişniec
Kind of a Drag
Justin Hayford reviews Doug Wright’s I Am My Own Wife and Alexandra Billings’s Before I Disappear.
Dead Aim
Justin Hayford reviews Brett Neveu’s 2002 drama Eric LaRue at A Red Orchid Theatre.
Final Analysis
Albert Williams reviews Steppenwolf Theatre’s 1999 production of Hysteria, by British playwright Terry Johnson
Words Fall
Adam Langer reviews Stephen Sachs’s play Sweet Nothing in My Ear.
Too Much Light Makes the Baby Go Blind
The Neo-Futurists are something of an enigma in an increasingly conservative age: a vocally political, openly experimental theater company that still sells out every weekend and has been doing so virtually from the moment their show, Too Much Light Makes the Baby Go Blind, first opened in December 1988. No other group in town takes […]