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Highlands hijinks

On a clear day in Brigadoon, you can see Oklahoma. Frederick Loewe and Alan Jay Lerner’s 1947 Scottish romantic fantasia is set in a far more mystical and picturesque realm than the Oklahoma territory of 1906, yet there are undeniable points of narrative similarity. But the dramatic stakes in Lerner and Loewe’s musical (which was […]

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Blackademics offers a course in code-switching

Set in an uber-modern high-end restaurant, the three-person play Blackademics, written by Idris Goodwin, sets up a gilded cage match of the wits for two Black frenemies in academia. Newly tenured professor Ann (Jessica F. Morrison) overcompensates through authentic African garb for what she feels she lacks in “authentic” Blackness due to her upper-class background. […]

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Born under punches

If boxing is a metaphor for life, as many scribes, boxing fans, and websites proclaim (just type “boxing as a metaphor for life” and you’ll find over 1.5 million results alone), then for the four boxers at the heart of Franky D. Gonzalez’s play That Must Be the Entrance to Heaven, life has delivered some […]

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Apocalyptic vaudeville

There’s a long tradition of Black American playwrights and filmmakers subverting the tropes of vaudeville and other popular entertainments to critique white supremacy and its violent power structures—power structures that of course also include American theater and filmmaking.  Douglas Turner Ward’s 1965 satire Day of Absence (which led to the creation of the Negro Ensemble […]

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Rocking With Chekhov

There is something about Anton Chekhov’s first successful full-length play, The Seagull, that attracts playwrights to try their hand at creating their own adaptations—faithful or otherwise.  Maybe it’s the fact that the characters at the center of this nearly 130-year-old play—the narcissistic mother, her emotionally damaged son, his talented but blindly ambitious girlfriend—feel so contemporary […]

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Whose body?

Last year for the Destinos festival and Teatro Vista, Georgette Verdin directed Paloma Nozicka’s haunting Enough to Let the Light In, which amply demonstrated her ability to create chilling atmospherics onstage. Night Watch, Verdin’s latest production, doesn’t have the same depth as Nozicka’s play, which was as much about guilt, loss, and isolation as it […]

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Games people play

Nestled in a strip of storefronts in Marquette Park, Teatro Tariakuri (led by founder and artistic director Karla Galván) has been offering Spanish-language comedies and family shows for 20 years. (They first produced in Pilsen, before rising rents pushed them further south, and took a seven-year break before opening their current cozy venue.) Their latest, […]

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Ghosts and dysfunction

Mia McCullough’s play, now receiving its world premiere at Theater Wit, is about the immovable object (denial) meeting the irresistible force (the past), with a family crushed in between. So far, I could be describing Long Day’s Journey Into Night or August: Osage County, but the wrinkle here is that the past is literally sitting […]

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A third time around for Grimm

For the third year running, Theatre Above the Law in Rogers Park presents a cornucopia of fairy tales by and about the Brothers Grimm, concocted by Michael Dalberg and directed by Tony Lawry. Though moments in the 95-minute show feel a bit leisurely in pacing at points, the material in this year’s installation is decidedly […]