Editor’s Note: Due to illness in the cast, the remainder of performances for this show have been canceled. Please contact the company for information on refunds. Feel like you’ve been living in hell the past several years? The Conspirators understand. In their latest offering, Commedia Divina: It’s Worse Than That, writer Sid Feldman concocts a […]
Category: Theater Review
Beetlejuice is a demonic good time
Thirty-five years after its film debut, the classic Tim Burton Halloween comedy Beetlejuice has been reimagined, first set loose like a demon as a 2019 Broadway musical (score by Eddie Perfect, book by Scott Brown and Anthony King, and directed by Alex Timbers), and now playing at Chicago’s Auditorium Theatre. My inner goth jumped at […]
Witch casts half a spell at Artistic Home
In Jen Silverman’s 2018 play, Witch, the devil goes down to a quiet English village and finds a lot more than he bargained for, including a supposed witch who is surprisingly resistant to selling her soul. Loosely based on The Witch of Edmonton, a 1621 play by Thomas Dekker, William Rowley, and John Ford, Silverman’s […]
Stupid F#@*ing Bird makes Chekhov both timeless and contemporary
Stupid F@*#ing Bird is my kind of play—the kind that plumbs the depths of despair as if it were a vaudeville skit. “I’m in mourning for my life,” says Mash, quoting a line straight out of Chekhov’s The Seagull. Presented by Bluebird Arts and directed by Luda Lopatina Solomon, not every line is directly translated […]
Once on This Island illustrates the beauty of storytelling
Lynn Ahrens and Stephen Flaherty’s 1998 Tony Award-winning score for Ragtime (book by Terrence McNally) has many virtues—strong songs, strong characters, moments of great drama—but for my money, it cannot hold a candle to Ahrens and Flaherty’s earlier, less complicated, but no less ambitious musical, Once on this Island. First produced on Broadway in 1990, […]
Oh, the Places You’ll Glow hits the switch on warmhearted comedy
This was the first time in a long time that a Second City performance didn’t seem to be an audition for Saturday Night Live. The company of four women and two men (a refreshing change of balance) were right there, engaging with the audience and each other in the moment—the very definition of genuine improv. […]
Assassins at Theo examines the real national pastime: violence
I couldn’t tell you how many times I’ve seen Stephen Sondheim’s appallingly timely tale of U.S. assassins (and wannabe assassins) since it premiered in 1990. I can tell you that Theo’s production hones in on the pure, unadulterated rage that defines the show with a fervor I’ve never encountered before. In director Daryl Brooks’s staging, […]
Twelfth Night is a perfect ten at Chicago Shakes
They couldn’t be more different in tone and setting, but Tyrone Phillips’s current gorgeous staging of Twelfth Night at Chicago Shakespeare and Robert Falls’s brilliant 2013 reimagining of Measure for Measure at the Goodman have one thing in common: bold directorial choices at the end that resolve nagging questions I’ve always had about how Shakespeare […]
Chaos in the co-op
A stellar cast more than makes up for some of the inherent unevenness in Charles Busch’s The Tale of the Allergist’s Wife, produced at Skokie Theatre as part of MadKap Productions’s 2023-24 season. Julie Stevens is terrific as Marjorie Taub, an Upper West Side housewife recovering from a nervous breakdown—triggered after the death of her […]
Neighborly nightmares
If you look at French-Canadian playwright Catherine-Anne Toupin’s Right Now with an eye toward finding narrative antecedents, you won’t be disappointed. There’s the young couple living across the hall from an older couple who seem a little too interested in them (shades of Rosemary’s Baby). There are boozy parties (and a possibly imaginary child) straight […]
All about their mother
The four sisters in Teatro Vista’s ¡Bernarda! often complain about the heat, but the stifling Spanish summer is no match for the passions roiling under their mother’s roof. This stylish, sexy new adaption of Federico García Lorca’s 1936 play, The House of Bernarda Alba, is written by Emilio Williams, directed by Teatro Vista producing artistic […]
City Lit’s The Night of the Hunter is a satisfying dark yarn
City Lit Theater’s stage adaptation of Davis Grubb’s 1953 novel has a dark, homespun, campfire-tale feel that suits the folksy tone of its suspenseful Southern Gothic narrative. The Night of the Hunter recounts the ordeal of two runaway children—ten-year-old John Harper and his five-year-old sister, Pearl—being pursued by a vicious killer in rural 1930s West […]
All the single ladies
Doing a gender reversal for Company, Stephen Sondheim and George Furth’s 1970 ironic comedy of marriage vs. singledom, is such a great idea it’s surprising that nobody thought to do it before Marianne Elliott’s 2021 revival. In Elliott’s production, bachelor Bobby is now Bobbie, a woman turning 35 and wondering just why everyone (meaning, her […]
This Bitter Earth dives into the roots of political and personal commitment
At one point in Fleetwood-Jourdain Theatre’s excellent production of Harrison David Rivers’s This Bitter Earth, the central character, Jesse (Matthew Lolar-Johnson), says to his activist boyfriend, Neil (Tiemen Godwaldt), that “all lives matter.” Neil, surprised and disgusted, replies, “Saying all lives matter is like running through an anti-cancer rally and saying, ‘You know, there are […]
La Jom Atenda shows the complexities of caregiving
Plays about the relationships between caregivers and their clients aren’t new. The late Chicago playwright, actor, and disability rights activist Susan Nussbaumʼs well-received No One as Nasty, about a disabled woman and her caregiver, was produced by Victory Gardens back in 2000. Martyna Majok’s 2018 Pulitzer Prize–winning Cost of Living also examined two pairs of […]